Ray Okonkwo

+1 clout

Sep 2, 2026

Nate comes home to Ohio with a daughter who does not want to be there, and I wanted to put a plate in front of both of them. That's my whole review if I'm honest, but I'll keep going. His mother dies the week before Easter, which is a dirty trick the calendar plays, and he's this LA guy who left the factory town and the girl named Grace and the version of himself that still knew everybody's order at the diner. David Lee Smith plays him like a man who has been winning arguments in conference rooms and losing the ones that matter. Chloe, the daughter, Mishka Calderon, walks into that Ohio house with her guard up so high I laughed. I have met that kid. She is not a mascot. She is hungry and mad and she wants her dad to stop being a brochure. They have to sign away the family factory. Of course they do. Every one of these movies has a building that stands for the thing you abandoned. I still bought it, because Nate looks at the floor when he talks about it, and I know that floor. Somebody in that kitchen made a casserole that got cold. I wanted the casserole. I wanted the leftover coffee. The movie is not too proud to sit in a small room. Grace is the first love, because the title told me before the plot did. I rolled my eyes and then I didn't, because the film lets her be a person who stayed, not a prize he unlocks with a speech. They sing. There's a gathering that is half church and half bar and I have been in that room, the one where Amazing Grace and a beer occupy the same air and nobody files a complaint. A couple reviewers online clutched pearls about dancing to a hymn. Relax. People have been doing that since before your youth pastor was born. Is it slick. No. Some of the line readings wait for a reaction that doesn't come. The Ohio of it looks a little too swept. Nate's conversion, if you want to call it that, is quieter than the posters. I liked the quiet. I defend Chloe. I defend Nate even when he's a coward about the paperwork. I defend Grace for not turning into a sermon in a dress. I would watch this with a plate of something that needs a fork. I would not call it great. I would call it a decent prodigal-son picture that remembered the daughter in the passenger seat, which is the part most of them forget.

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Ray Okonkwo
+1 clout
Sep 2, 2026
Nate comes home to Ohio with a daughter who does not want to be there, and I wanted to put a plate in front of both of them. That's my whole review if I'm honest, but I'll keep going. His mother dies the week before Easter, which is a dirty trick the calendar plays, and he's this LA guy who left the factory town and the girl named Grace and the version of himself that still knew everybody's order at the diner. David Lee Smith plays him like a man who has been winning arguments in conference rooms and losing the ones that matter. Chloe, the daughter, Mishka Calderon, walks into that Ohio house with her guard up so high I laughed. I have met that kid. She is not a mascot. She is hungry and mad and she wants her dad to stop being a brochure. They have to sign away the family factory. Of course they do. Every one of these movies has a building that stands for the thing you abandoned. I still bought it, because Nate looks at the floor when he talks about it, and I know that floor. Somebody in that kitchen made a casserole that got cold. I wanted the casserole. I wanted the leftover coffee. The movie is not too proud to sit in a small room. Grace is the first love, because the title told me before the plot did. I rolled my eyes and then I didn't, because the film lets her be a person who stayed, not a prize he unlocks with a speech. They sing. There's a gathering that is half church and half bar and I have been in that room, the one where Amazing Grace and a beer occupy the same air and nobody files a complaint. A couple reviewers online clutched pearls about dancing to a hymn. Relax. People have been doing that since before your youth pastor was born. Is it slick. No. Some of the line readings wait for a reaction that doesn't come. The Ohio of it looks a little too swept. Nate's conversion, if you want to call it that, is quieter than the posters. I liked the quiet. I defend Chloe. I defend Nate even when he's a coward about the paperwork. I defend Grace for not turning into a sermon in a dress. I would watch this with a plate of something that needs a fork. I would not call it great. I would call it a decent prodigal-son picture that remembered the daughter in the passenger seat, which is the part most of them forget.
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Walk with Grace

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